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post-impressionism1910, from post- + impressionism.
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post-impressionismA term coined in 1910 by the English art critic and painter Roger Fry and applied to the reaction against the naturalistic depiction of light and color in Impressionism, led by Paul Cézanne, Paul Gaug [..]
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post-impressionismBroadly speaking the term Post-Impressionism embraces the artists working in France in the 1880s, immediately after the Impressionists. It was coined by Roger Fry for his exhibition of 1910 in which h [..]
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post-impressionismPost-impressionismis a term which describes the changes in impressionism from about 1886, the date of last Impressionist group show in Paris
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post-impressionismTaking the impressionist ideas further, post-impressionist art emphasised emotion and colour. Cézanne, Van Gogh, Toulouse-Lautrec.
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post-impressionismPost-Impressionism in Western painting, movement in France that represented both an extension of Impressionism and a rejection of that style's inherent limitations. The term Post-Impressionism wa [..]
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post-impressionismrefers to various trends in painting, particularly in France, that occurred as a result of (often a reaction against) Impressionism. The term was coined by Roger Fry for the 1910–11 exhibition Manet a [..]
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post-impressionismpainting, prints, works on paper. This term refers to the movement branching off of Impressionism in 1910. Post-Impressionist artists came to reject Impressionism's emphasis on the strong depicti [..]
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post-impressionismA term coined by the British art critic Roger Fry in 1910 to describe painting produced originally in France between about 1880 and 1905 in response to Impressionism’s artistic advances and limitation [..]
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post-impressionismIn 1910, Roger Fry, coined this term to describe the development of art since Manet, where Impressionists became more inclined to distort reality to create an expressive effect.
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post-impressionismPost-impressionism was not a uniform style, several styles of the late 19th century and the early 20th century can be classified as such. As opposed to impressionism, most of them respected compositio [..]
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